Symphonie Grotesque is an excellent selection for use in branding or in other kinds of corporate identity design. The fonts’ ascenders rise quite a bit above the tops of the capital letters, but the capitals and the numerals both share the same height. The middle-two diagonal-strokes of the ‘M’ remain visibly above the baseline in all of the family’s styles. Symphonie Grotesk’s numerals are tabular lining figures the ‘1’ always has a nice, wide base-stroke at its bottom. But in the italics, the ‘a’ becomes single-storey, and the ‘f’and ‘ß’ get descending tails, too. For example, in Symphonie Grotesk’s upright fonts, the ‘a’ is double-storey, while the ‘g’ is single-storey (just what one would expect for a typeface of this genre). Instead of just offering slanted, or oblique versions of the upright fonts’ letters, Symphonie Grotesk’s italic fonts include several unique, more cursive-style letterforms. Symphonie Grotesk’s italics are what really set it apart from other neo-grotesk families. Each weight has an upright and an italic font on offer. There are five different weights available, ranging from Regular through Heavy. Symphonie Grotesk is a family of neo-grotesk-style sans serif fonts.
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